Monday, May 22, 2006

Mefistofele recap

Drama kids never cease to amaze me.

We've already discussed over coffee and miles of interstate, but I'm interested to hear your thoughts on this show. Like Amanda said, "I think I need to sit back and let this one wash over me for a few days."

Although this is only the tip of the iceberg, some impressions:
character development: The attention to detail was marvelous.
example: Margherita's walk. She turned her toes in, which resulted in a somewhat awkward gait. It was intentional for her character. Once I recognized it, I began looking for other subtle touches the actors had applied, and was not disappointed. What did you notice?

language and music:
was the language or the music ever a barrier? How did it serve to further the production? Subtitles, anyone?

physicality:
again, this goes back to actor intention. What did you think about some of the specific images created, movement? The very physical nature of the play became in a sense a character unto itself -- a means to tell the story.

What else?

Field trips in general... I don't care for Suburbans, but I do like Thai food, good coffee, a beautiful night out in downtown Minneapolis, and the company of artistic souls.

2 Comments:

At 10:39 AM, Blogger M.Cummings said...

absolutly marvoulus. With every day I begin to like it more. I'll go through my experience chronologicaly. The lobby It was tastfuly simple, even though they had a tony award sitting in there it wasn't boastfully cluttered. Its difficult to beilive such an industrial building could be so comfortale. Pre show: I didn't notice any pre show music, I suppose that is a question for the ages. the set mirrored the lobby Industrial, simple, flexible. The shows opening was high energy and great it got the exposition out perfectly short and to the point, the images of current events on a news broadcast via a televsion enlisted us all to connect this fictional world with our own. costumes were totaly french... trendy and tastefully outrageous. Lighting: the wire mesh on the cage acted as a scrim. BRILLIANT! The acting was methodical, organic, and true.

We witnessed a level of live entertainment beyond broadway. An animal that moos, eat grass, and chews its own vomit is called a cow. The program called everyone in the production artists. Not the cast or the crew, or production team. All of themcombined to make one mega-artist. But they were all every day artists, you'll never get to greet the actors after a performance on braodway or in the guthrie, they are all actors. the Jeune Lune has artists.

 
At 8:33 PM, Blogger Albie said...

You can also check out Jen's review on her own blog.
http://thatssospanish.blogspot.com/2006/05/mefistofele.html

(And then for fun, check in with her to see if she's still publicly interested in drama

... at least according to the Dispatch!

 

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